Photo Masterclass part 11: Work on a project

If you want to develop your creativity, try focusing on a single theme or subject. Commitment should reward you with the unusual, the abstract and the extraordinary, says Mark Carwardine.

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Photo Masterclass part 11: Work on a project spread.

If you want to develop your creativity, try focusing on a single theme or subject. Commitment should reward you with the unusual, the abstract and the extraordinary, says Mark Carwardine.

One of the best ways to improve your photography is to take on a project. Shooting the same subject over and over again forces you to experiment, to think outside the box and to push your personal boundaries of creativity.

The more time you spend on a project, the more likely you are to produce truly original, imaginative, eye-catching photographs.

The trick is to keep shooting until you completely run out of ideas, and then produce a coherent selection of varied pictures. Far from feeling restrictive, it is truly liberating.

Your project could focus on a single species (such as the grey squirrel or starling – the more familiar, the better, because it is more challenging to produce something fresh); a specific location (a local park or nature reserve, or even a village pond, would be perfect); a simple theme (green, winter, raindrops, etc); or just an idea (shooting the same place at different times of day and year, for example, or taking a single photograph every day on your commute to work).

Once you start to experiment with new positions, compositions, lighting and times of day, you’ll soon discover more abstract approaches.

So this month we’ll be learning why top wildlife photographers tend to resist the temptation to flit around shooting a bit of everything, and focus on specific projects instead.

TOP PHOTOGRAPHY TIPS

1. Use your eyes and imagination

The expert: Sven Zacek, Estonia

Sven Zacek has a particular passion for the boreal forests of his native Estonia, where he has spent months photographing Ural owls.

“I’ve probably spent more time with these beautiful birds than with any other species,” he says.

“Over the past four years, one particular individual has come to accept me as its second shadow. This level of familiarity has enabled me to take a wide range of images that would otherwise have been impossible.”

But just because Sven has gained the owl’s trust, and has therefore been able to get incredibly close, doesn’t mean to say that all of his pictures are full-frame close-ups, as this example ably demonstrates.

The whole point of a project like this is to create variety. It makes you think laterally, to take many different photos of the same subject.

“The best tip I can give to beginners,” says Sven, “is to learn to ‘see’.

Spending a lot of time with the same species, or even the same individual, enables you to hone your observational skills and pick out potential images that perhaps you wouldn’t have noticed before.”

 

2. Find a story to share

The expert: Solvin Zankl, Germany

Another reason for taking on a photographic project is to learn how to tell a strong, lucid story with a series of images or, better still, a single image.

This is what Solvin has done with this powerful and evocative picture, taken at Playa Ostional, Costa Rica.

“I wanted to illustrate some of the threats that olive ridley turtle hatchlings face before they even reach the sea,” he explains.

“This image shows a dog digging up a nest buried in the sand, taking a hatchling and ultimately leaving the rest of the brood exposed to loitering black vultures.”

Conservation issues make great photographic projects. Try working with a local group – in return for advice, access and assistance, let them use your images free of charge.

Conservation issues – here the many threats faced by olive ridley turtles – lend themselves well to photographic projects. A picture really is worth a thousand words.

 

3. Get out and make friends 

The expert: Stefano Unterthiner, Italy

Stefano was exploring Gran Paradiso National Park, in the Italian Alps, when he found a fox den containing five cubs.

One of them showed absolutely no fear of humans, and Stefano spent two years photographing the youngster.

“I called him Fred,” says Stefano, “and we became great friends.

I followed him day after day as he patrolled his territory, hunted mice and chased groundhogs, and I waited patiently while he slept in the shade of rocks.

Photographing truly wild foxes is anything but easy – they tend to be very shy and distrustful – so I made the most of our beautiful friendship.”

Stefano took no fewer than 15,000 pictures of this fox, but had to edit those down to a mere 100 for his book of the project.

 

4. Dabble with dragonflies

The expert: Ross Hoddinott, UK

Ross is best known for his close-up photography, and specialises in insects and wild plants.

“I’ve been shooting dragonflies since I was 12,” he comments.

“They are incredibly challenging. First, you have to find them, then you have a lot of fiddly macro work, then you have to contort yourself into awkward positions to get exactly the right angle. But it’s enormous fun.”

Dragonflies make excellent subjects for a long-term project.

Try photographing them with different backgrounds, at water level and in flight; shoot extreme close-ups and wides of them in their watery environment; experiment with lighting to show off their wings; and get to know them well enough to capture different types of behaviour.

 

BREAKING THE RULES

Once you know the rules, bending them can result in an even better picture

5. Keep an open mind

The expert: Alex Mustard, UK

Alex took his first picture beneath the waves at the age of nine and has specialised in marine wildlife ever since.

While he does undertake projects focusing on specific subjects – from West Indian manatees in Florida to basking sharks in Cornwall – he also takes advantage of opportunities as they arise.

“You have to keep an open mind,” he says. “It’s great to have objectives for particular projects, but you don’t want to be so focused on one shot that you miss other opportunities.”

Photographing coral reefs is a good example. You can’t change lenses underwater, so you have to make basic decisions about the animals you are likely to see.

If you’re concentrating on small fish and invertebrates, for instance, you’ll need a macro lens, but if you’re after sharks and turtles, a wide-angle one is more suitable.

Beyond that, you have to be ready for any encounters. Alex captured this Red Sea clownfish during a trip to Egypt, while shooting everything from oceanic whitetip sharks to seaslugs.

 

SET A GOAL

Create a book 

Making a photo book is a great way to pull your project together.

There are several online services that enable you to create and print books – Bob Books is particularly good, or try Blurb.

Choose a template, then upload your pictures (size-12 jpegs at 300dpi RGB or sRGB) and text using the inbuilt design software (Bob Books’ is compatible with Mac OS X 10.5 and 10.6, Windows 2000 and later, and Linux).

The finished book arrives in the post within a few weeks. 

 

TRICKS OF THE TRADE

Our pro photographers share their top tips to help you ensure that your compositions shine.

MULTITASK Have a few projects on the go at once, to keep you inspired in case you find one of them particularly challenging.

FREE YOUR MIND Be as ingenious and outlandish as possible to push your creative boundaries.

LOOK AND LEARN Seek inspiration in other people’s photographs – look for styles you might be able to adapt to suit your own work.

USE ALL THE BUTTONS Experiment with all of the camera and flash settings, all of your lenses and as many different techniques as you can dream up.

ENJOY YOURSELF You are allowed to quit a project if you’re not enjoying it – they are, after all, supposed to be fun.

 

Read previous Photo Masterclasses. 

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